|
Musean hypernumbers are an algebraic concept envisioned by Charles A. Musès (1919–2000) to form a complete, integrated, connected, and natural number system.〔 〕〔 〕〔 〕〔 〕〔 〕 Musès sketched certain fundamental types of hypernumbers and arranged them in ten "levels", each with its own associated arithmetic and geometry. Mostly criticized for lack of mathematical rigor and unclear defining relations, Musean hypernumbers are often perceived as an unfounded mathematical speculation. This impression was not helped by Musès' outspoken confidence in applicability to fields far beyond what one might expect from a number system, including consciousness, religion, and metaphysics. The term "M-algebra" was used by Musès for investigation into a subset of his hypernumber concept (the 16 dimensional conic sedenions and certain subalgebras thereof), which is at times confused with the Musean hypernumber level concept itself. The current article separates this well-understood "M-algebra" from the remaining controversial hypernumbers, and lists certain applications envisioned by the inventor. =="M-algebra" and "hypernumber levels"== Musès was convinced that the basic laws of arithmetic on the reals are in direct correspondence with a concept where numbers could be arranged in "levels", where fewer arithmetical laws would be applicable with increasing level number.〔 However, this concept was not developed much further beyond the initial idea, and defining relations for most of these levels have not been constructed. Higher-dimensional numbers built on the first three levels were called "M-algebra"〔 〕〔 〕 by Musès if they yielded a distributive multiplication, unit element, and multiplicative norm. It contains kinds of octonions and historical quaternions (except A. MacFarlane's hyperbolic quaternions) as subalgebras. A proof of completeness of M-algebra has not been provided. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Musean hypernumber」の詳細全文を読む スポンサード リンク
|